Latest News

22 January 2018

We all born with some special skills and during our life we have to decide to use that skills and specialize in some topics, we can not be experts in all, I recognize that and that's why when something become very complex for me I try to find someone that is an expert to help me. So in this case I decided to post an ad looking for someone with excellent skills as strategist and contacting and connecting high level people.

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Posted in Venice Biennale / Documenta Journal By David Hinojosa

07 January 2018

As artist I have faced many challenges, most of them brave and happy. The biggest one until now has been keeping being an artist after 10 years. But since the start I keep the dream and vision of being at the top of the mountain. And since then I have been waiting for the best conditions to start climbing that mountain, or maybe waiting for "someone" to push me up into the "way" stablished by the system. But now I realize there is not such "way", the "way" is the one we create. So I decided that I will not wait anymore, I will start climbing that mountain even when it takes me all my life. That's why I'm writing this journal, first as an art project, second as a legacy and inspiration for other artists and third as one of the tools that I will use to reach that mountain.

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Posted in Venice Biennale / Documenta Journal By David Hinojosa

EXHIBITION FEBRUARY 2018 in ROME, Italy
The publication of this book intends to gather artworks realized with any media committed to show what we can define "aesthetics of seriality", an aesthetic based on the repetition of forms understood as an allusion to the industrialized production cycle and to the "copy and paste " of the digital era models, inspired by the dialogue between the forms, the light and the space that imposes optical-perceptual messages favored by the use of repetitive and serial strategies.Read More...
Posted in News By David Hinojosa
dhadmann magma
EXHIBITION DECEMBER 2017 in Berlin, Germany Magma comes to question the status quo of the art world by exhibiting cool, affordable art by international emerging artists. Azucar will present works by artists it has been working with but also works by guest artists.Read More...
Posted in News By David Hinojosa
In ODBK we point out that today, the art market plays a key role in the definition of the contemporary art world, and has a direct influence what future generations will recognize as the art of our current time. We recognize that the current economic model of the contemporary art market is built over a manipulative and speculative system that should be changed in order to have an equal distribution of the income, attention and opportunities for all participants in the art world.Read More...
Posted in Texts By David Hinojosa
Social mechanisms work as authomatic machines that allows our society and individuals function in a more or less structured and organized way obtaining what they need when they want.Social mechanisms can be used, copied or appropiated totally or partially to create art works / art projects.A mechanitist art work / art project can be inserted and exist or coexist in real environments of the society and not only restricted to exist in the boundaries of the art world.Read More...
Posted in Texts By David Hinojosa
There are ideas, concepts, places or objects that are fixed defined in our mind in order to be easily recognized. But when we move, add or remove pieces that conform that definition then we are in a dilemma of recognition.That place where that emptiness live to create a new something is what brings purpose to my work: “the gray area”. Bringing “gray area things” into the daily life of the people is a political process. Gray areas are produced by the society itself and this is the reason why most of my works are participative or placed in semi public spaces. Bringing acceptance (or votes) of those things is a way to expand the comfort zone of the society we live in order to improve it.Read More...
Posted in Texts By David Hinojosa
This is the main question I try to answer through my painting process. In this process, I normally take images I find on the Internet or style magazines used primarily for advertising or illustrating a concept, an idea or a product (in the end ads are also trying to illustrate something) and I transform them into non-concept compositions.Read More...
Posted in Texts By David Hinojosa